Loud music

Staying at home with noisy neighbors

Photo credit: Andrea Piacquadio from Pexels

by Arline L. Bronzaft, Ph.D., Board of Directors, GrowNYC, and Co-founder, The Quiet Coalition

While complaints about outdoor noises such as those from construction and neighborhood pubs and bars have declined in New York City, neighbor-to-neighbor complaints have increased. In their article “Lockdown: Noisy neighbours are ruining my life,” Manish Pandey and Will Chalk similarly report that since the UK went into lockdown, individuals are complaining about their neighbors’ noises not giving them any “peace and quiet.” Pandey and Chalk queried 103 councils in the UK and those who responded reported a rise in neighbor-to-neighbor complaints.

Dan Sanders, the head of the Association of Noise Consultants in the UK, believes the rise in complaints is related to the fact that “so many people are spending a lot more time at home.” He could add that in many cases individuals are now working from home and noise intrusions could be especially disruptive. He goes on to suggest that talking to a neighbor should be the first step before filing a noise complaint. Under normal circumstances resolving noise complaints, through complaints to appropriate agencies, takes time and under the present circumstances, it would probably take longer.

However, we must not forget that neighbor-to-neighbor noise complaints have been a problem before the pandemic. “Neighbour/Neighbourhood Noise” is a chapter written by Val Weedon of the UK, a long-term advocate for a less noisy environment, in the book “Why Noise Matters.” In her chapter of the book, published in 2011, Weedon cites studies that show that neighbor noise has been a problem in the UK for decades.

This is also true in New York City and elsewhere. While neighbor to neighbor noise can be resolved through conversations amongst neighbors, as Sanders suggests, this does not happen that frequently. Such resolutions depend on people respecting the right of others. And while Blanche DuBois in “A Streetcar Named Desire” stated that she “…always depended on the kindness of strangers,” I would have to say that individuals exposed to noisy neighbors will too frequently have to depend on the law to protect their right to some quiet.

In New York City and the UK, too often one finds that very few violations are issued in response to noise complaints to the appropriate authorities charged with enforcing noise ordinances. Thus, many individuals have to seek other means to resolve noise complaints. Remember, noise is a hazard to one’s mental and physical health.

In New York City, as a member of GrowNYC overseeing its noise activities, I have been asked many times to help with noise complaints as have the city’s public officials. I assume we will continue coping with neighbor-to-neighbor noise complaints after this horrific pandemic but, maybe after the difficulties we have all experienced these past few months, urban dwellers will express some of the kindness towards others in line with Blanche DuBois’ frequently quoted words.

Dr. Arline Bronzaft is a researcher, writer, and consultant on the adverse effects of noise on mental and physical health. She is co-author of “Why Noise Matters,” author of “Listen to the Raindrops” (children’s book illustrated by Steven Parton), and has written extensively about noise in books, encyclopedias, academic journals, and the popular press.  In addition, she is a Professor Emerita of the City University of New York and Board member of GrowNYC.

How classical music got louder

Photo credit: Liam Keane licensed under CC BY 2.0

by Daniel Fink, MD, Chair, The Quiet Coalition

This wonderful piece in the New York Times discusses how classical music evolved from quiet to loud. The article discusses both how composers wrote generally quiet music until Beethoven started writing louder music, with those who followed him writing even louder music. Then orchestras started playing more loudly, to the point where audiences put their fingers in their ears during the loudest passages.

My wife and I attend concerts of the Los Angeles Philharmonic. When Essa-Pekka Salonen was music director, his specialty was conducting Mahler’s works. The sound levels were tolerable.

I developed tinnitus and hyperacusis at the end of 2007, after a one-time exposure to loud noise at a New Year’s Eve dinner in a restaurant.

The current music director, the wonderful Gustavo Dudamel, replaced Maestro Salonen in 2009. Gustavo–everybody in LA just calls him Gustavo–conducts the orchestra at a greater sound level. Especially for works like Stravinsky’s Firebird, I find the sound painfully loud.

I just insert my earplugs and enjoy the concert comfortably.

Dr. Daniel Fink is a leading noise activist based in the Los Angeles area. He is the founding chair of The Quiet Coalition, an organization of science, health, and legal professionals concerned about the impacts of noise on health, environment, learning, productivity, and quality of life in America. Dr Fink also is the interim chair of Quiet Communities’ Health Advisory Council, and he served on the board of the American Tinnitus Association from 2015-2018.