Sound

The design of sound notifications

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Gabriela Barkho, The Observer, writes about the designers who create the “undeniably annoying” sound notifications used in mobile technology. Barkho notes that most of us shut off the noisy notification that tells us someone is trying to call us, replacing the rington with vibrate, but what of other sound notifications?

Barkho writes that “[t]he new age of mobile sound is as much about representing the app’s brand and mission as it is about the user experience.” Ouch. The thought of fighting your way through a crowded room with everyone holding a bleating cell phone is horrifying. Fortunately, however, designers recognize that sounds can annoy. Says Josh Mobley, a composer and sound designer, “[t]he trick is to make a sound that people will hear that isn’t going to annoy the shit out of them every time it plays.” Hear, hear.

While we are happy to learn that designers are aware of the problems posed by annoying sound notifications, what will happen when every app demands sound notifications that brand stand out? Imagine the horrorscape of competing notifications, with each designer trying to make their audio stand out. How will people cope when they can never have an uninterupted moment?

Maybe they won’t have to.

Why? Because according to Chris Kyriakakis, professor of electrical and computer engineering/systems and director of the Immersive Audio Laboratory at Univeristy of Southern California, the next big thing in sound notifications is spatialized sound. Kyriakakis calls spatialized notifications “a great leap forward” that would allow a user to use direction to decipher communication. How? He imagines that “a ding from front and center of your headphones could signal an urgent text, while a softer one from the back-end could be a less important notification.”

If it’s true that sound spatialization is the future, then maybe this brave new world of sound notifications won’t be as horrific as one might imagine. Among other things, Kyriakakis envisions spatialization with headphone use. Sure, city streets may be even more difficult to navigate as we weave our way around battalions of headphone-wearing people meandering in the streets, focused on distinguishing a ping from a beep  But at least we wont have to hear it.

 

 

Explore the sounds of Yellowstone

Photo credit: Frank-2.0 has dedicated this photo the public domain

Cities and Memories has launched their newest project, a sound map of Yellowstone national park. Once again, Cities and Memories provides captured sounds of “everything from grizzly bears and coyotes through to the park’s iconic geysers and steam vents,” and couples them with reimagined sound pieces by artists from around the world. Be sure to set aside a few hours to explore the sound map!

Archaeoacoustics, the acoustics of archeological sites

Photo credit: Colin W licensed under CC BY-SA 3.0

by Daniel Fink, MD, Chair, The Quiet Coalition

Silencity recently published a post about sounds that have been lost to humans, e.g., the call of the wooly mammoth, because they were heard before sound recording technology had developed.

This article from Acoustics Today discusses the field of archaeoacoustics. Anthropologists and acoustic engineers are exploring ancient sites where specific sounds were thought to be important to humans, and recreating those sound environments.

Sounds are important to humans today, and must have been even more significant in ancient times, when the natural environment was much quieter and sounds could be heard at a much greater distance.

Dr. Daniel Fink is a leading noise activist based in the Los Angeles area. He is the founding chair of The Quiet Coalition, an organization of science, health, and legal professionals concerned about the impacts of noise on health, environment, learning, productivity, and quality of life in America. Dr Fink also is the interim chair of Quiet Communities’ Health Advisory Council, and he served on the board of the American Tinnitus Association from 2015-2018.

A charming story about community and silence

Photo credit: trolvag licensed under CC BY-SA 3.0

Dr. Daniel Fink wrote this post about a recording project in Cremona, Italy that required the cooperation and participation of all the residents, and how they all rose to the occasion:

by Daniel Fink, MD, Chair, The Quiet Coalition

This delightful article by Max Paradiso in the New York Times describes an ambitious recording project in Cremona, Italy. Paradiso writes that the project aims to digitally record the violins crafted there centuries ago, preserving “the sounds of the Stradivarius instruments for posterity, as well as others by Amati and Guarneri del Gesù, two other famous Cremona craftsmen.” And to do this, the streets surrounding the auditorium where the recording is taking place must be quiet.

One wishes all cities could make similar efforts.

Dr. Daniel Fink is a leading noise activist based in the Los Angeles area. He is the founding chair of The Quiet Coalition, an organization of science, health, and legal professionals concerned about the impacts of noise on health, environment, learning, productivity, and quality of life in America. Dr Fink also is the interim chair of Quiet Communities’ Health Advisory Council, and he served on the board of the American Tinnitus Association from 2015-2018.

The sound of winter

Photo credit: Valdemaras D. from Pexels

by Daniel Fink, MD, Chair, The Quiet Coalition

This delightful essay by Jennifer Finney Boylan in the New York Times discusses the differences between winter in Maine and winter in New York City.

Boylan writes that when she ventures out “on a subzero morning in Maine, it’s the silence that strikes me first.” No doubt it is a sharp contrast with the sound of the city in winter. In fact, Boylan adds, “[t]he most dramatic sound up north is the one that I almost never hear in New York City: the sound of nothing at all.”

Dr. Daniel Fink is a leading noise activist based in the Los Angeles area. He is the founding chair of The Quiet Coalition, an organization of science, health, and legal professionals concerned about the impacts of noise on health, environment, learning, productivity, and quality of life in America. Dr Fink also is the interim chair of Quiet Communities’ Health Advisory Council, and he served on the board of the American Tinnitus Association from 2015-2018.

Deer change nature’s soundscape, just like humans do

Photo credit: Steve from Pexels

by David M. Sykes, Vice Chair, The Quiet Coalition

Most of us think of deer as very quiet. But this NPR article on a study published on the science research site Plos One describes how the eating habits of a herd of deer change the soundscape of an area in ways that affect other creatures’ habitats

According to Megan Gall, a researcher at Vassar College, deer accomplish this by (quietly) eating the underbrush that provides “acoustical privacy” for song birds and other creatures that inhabit a forested area.

So humans aren’t the only ones transforming the landscape!

In addition to serving as vice chair of the The Quiet Coalition, David Sykes chairs several professional organizations in acoustical science: The Acoustics Research Council, American National Standards Institute Committee S12, Workgroup 44, The Rothschild Foundation Task Force on Acoustics, and the FGI Acoustics Working Group—a partner of the American Hospital Association. He is the lead author of “Sound & Vibration 2.0 (2012, Springer-Verlag), a contributor to the National Academy of Engineering report “Technology for a Quieter America,” and to the US-GSA guidance “Sound Matters”, and co-founded the Laboratory for Advanced Research in Acoustics (LARA) at Rensselaer Polytechnic Institute. He recently retired from the board of directors of the American Tinnitus Association. A graduate of the University of California/Berkeley with graduate degrees from Cornell University, he is a frequent organizer of and speaker at professional conferences in the U.S., Europe, Asia, and the Middle East.

They really don’t make music like they used to

by Daniel Fink, MD, Chair, The Quiet Coalition

Greg Milner, the New York Times, discusses the changes in audio technology that make the average sound of popular songs louder. The piece is a fascinating look at how modern music is engineered to be loud–“loudness as a measure of sound within a particular recording.”

Milner states that “[m]any audio pros maintain that excessive loudness creates aural fatigue.”

I would add, “and doctors and audiologists also maintain that excessive loudness causes noise-induced hearing loss.”

Remember: if it sounds too loud, it is too loud. Protect your hearing before it’s too late.

Thanks to Arnold Gordon for bringing this article to our attention.

Dr. Daniel Fink is a leading noise activist based in the Los Angeles area. He is the founding chair of The Quiet Coalition, an organization of science, health, and legal professionals concerned about the impacts of noise on health, environment, learning, productivity, and quality of life in America. Dr Fink also is the interim chair of Quiet Communities’ Health Advisory Council, and he served on the board of the American Tinnitus Association from 2015-2018.

What is sound tourism?

Photo credit: Ibrahim Asad from Pexels

by Daniel Fink, MD, Chair, The Quiet Coalition

When Silencity wrote about the sea organ in Zadar, Croatia, I said to my wife, “we were there!” And I learned that there is a branch of tourism called sound tourism, for those who seek out places with unique sounds. There even is a website, Sound Tourism, to learn about interesting sounding places and acoustic.

If you want to enjoy the world’s sounds, you need to be able to hear them.

Protect your hearing.

Remember: if something sounds too loud, it IS too loud!

Dr. Daniel Fink is a leading noise activist based in the Los Angeles area. He is the founding chair of The Quiet Coalition, an organization of science, health, and legal professionals concerned about the impacts of noise on health, environment, learning, productivity, and quality of life in America. Dr Fink also is the interim chair of Quiet Communities’ Health Advisory Council, and he served on the board of the American Tinnitus Association from 2015-2018.