By Antonella Radicchi, PhD, Steering Committee Member, The Quiet Coalition
I’m pleased to share “A Pocket Guide to Soundwalking,” my essay on soundwalking written especially for newcomers to soundwalking, such as architects, city planners, and policy makers who are interested embracing a holistic and human-centered approach to “city sense and city design.” But my guide is also dedicated to anyone interested in learning about soundwalks, their purposes, how they are designed, and how they are performed.
In the words of Hildegard Westerkamp, a composer and musician who, since the Sixties, has contributed to the definition and spread of soundwalking, a soundwalk is “any excursion whose main purpose is listening to the environment.” Soundwalks have a long history with a consistent body of literature and established practices, especially in the field of sound studies and acoustic ecology where they have been used as educational tools for enhancing sonic awareness and listening skills. But in the past decade especially, they have also been used as a method of inquiry in urban planning and soundscape research projects, and they have employed both solo and group soundwalks.
Against this background, I’ve traced historical notes and drafted a preliminary list of criteria for designing a soundwalk that will be useful for diverse fields of research. My pocket guide to soundwalking proposes specific and diverse methods of soundwalking, drawn from literature review and my practice, and according to the civic, education, and research goals.
“A Pocket Guide to Soundwalking” has been recently published in a fantastic book on urban economics, “Perspectives on Urban Economics” (eds Besecke et al.), which “offers a broad palette of perspectives on the multi-layered field of urban and regional economics.” The book pays tribute to Prof. Dr. Dietrich Henckel, who held the Chair of Urban and Regional Economics at TU Berlin’s Institute of Urban and Regional Planning from 2004 to 2017, “and contributed passionately to a wide range of discourses.”
Antonella Radicchi is a registered architect and has a Ph.D. in Urban Design, with doctoral studies conducted at MIT (Cambridge, USA) and at the University of Firenze (IT). She was awarded ihe IPODI-Marie Curie Fellowship, and is currently working on her “Beyond the Noise: Open Source Soundscapes” project at the Technical University Berlin. She collaborates with the European Commission Executive Research Agency as an external expert evaluator in the frame of HORIZON 2020. Her project, Toscana Sound Map, was commissioned for and exhibited at EXPO 2015 in Milan, and since 2009 she has been the curator of Firenze Sound Map, which was included in the Open Data System of the Municipality of Firenze in 2013. Dr. Radicchi has lectured extensively at the university level for ten years and has participated in international conferences and symposiums. In 2017 she has launched Hush City app, a citizen science project, to push the boundaries of knowledge and to promote the environmentally just city.